The Road Not Taken
by Carole Spandau
Title
The Road Not Taken
Artist
Carole Spandau
Medium
Painting - Watercolor On Arches
Description
The Road Not Taken
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I�
I took the one less traveled by,
And that has made all the difference.
The Road Not Taken" is a poem by Robert Frost, published in 1916 in the collection Mountain Interval. It is the first poem in the volume and is printed in italics. The title is often mistakenly given as "The Road Less Traveled",[citation needed] from the penultimate line: "I took the one less traveled by".
"The Road Not Taken" is a narrative poem consisting of four stanzas of iambic tetrameter (though it is hypermetric by one beat - there are nine syllables per line, instead of the strict eight required for tetrameter) and is one of Frost's most popular works. This, being among the best known, is also one of the most often misunderstood poems. It has been commonly studied in high school literature classes and can often relate to the reader's life as in making difficult decisions.
I took the one less traveled by,
And that has made all the difference.
cannot be taken literally: whatever difference the choice might have made, it could not have been made on the non-conformist or individualist basis of one road's being less traveled, the speaker's protestations to the contrary. The speaker admits in the second and third stanzas that both paths may be equally worn and equally leaf-covered, and it is only in his future recollection that he will call one road "less traveled by."
The sigh can be interpreted as one of regret or of self-satisfaction; in either case, the irony lies in the distance between what the speaker has just told us about the roads' similarity and what his or her later claims will be. Frost might also have intended a personal irony; in a 1925 letter to Crystine Yates of Dickson, Tennessee, asking about the sigh, Frost replied, "It was my rather private jest at the expense of those who might think I would yet live to be sorry for the way I had taken in life."
According to Larry L. Finger's analysis, nearly all critics have agreed that the sigh represents regret as this is mirrored in the regretful tone of the opening lines. He quotes scholar Eleanor Sickels as saying that the poem is about "the human tendency to wobble illogically in decision and later to assume that the decision was, after all, logical and enormously important, but forever to tell of it 'with a sigh' as depriving the speaker of who-knows-what interesting experience."
Likewise, Lawrance Thompson is cited as saying that the speaker of the poem is "one who habitually wastes energy in regretting any choice made: belatedly but wistfully he sighs over the attractive alternative rejected."
While a case could be made for the sigh being one of satisfaction, given the critical support of the 'regret' analysis it seems fair to say that this poem is about the human tendency to look back and attribute blame to minor events in one's life, or to make more meaning of things than they may deserve.
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July 16th, 2009
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